Product code: KROPSIXMK2 | ID: 1130725
Opsix mk II is a digital synth like no other. Based on the sound engine of the original opsix, the number of simultaneous voices and voicings has been expanded to an astounding 64 voices. The result is superior performance and precise control.
The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.
And, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.
At the heart of every sound is opsix mk II’s Operator Mixer – a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix mk II so unique, just like the sounds it offers.
Whether you’re tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!
Select from a full range of analog-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.
There’s even a built-in spectrum analyzer and oscilloscope that gives you visual feedback via the screen on the music you’re making.
The Arpeggiator transforms chords into sequences of individual notes played in various rhythmic and melodic patterns. Instead of playing the chords as a harmonic whole, the Arpeggiator breaks the chords into individual notes and plays them sequentially according to the selected algorithm.
The sequencer provides musicians with a tool for composing and arranging music, allowing them to create and edit musical sequences. This feature allows you to record and play back repeating patterns. This makes it easy to create complex rhythms and melodies. The sequencer also allows you to layer different musical elements on top of each other, sync with other devices, and adjust parameters in real time. This flexibility makes the sequencer an invaluable tool for producing music, experimenting with new sounds and creating original compositions.
An LFO, or low frequency oscillator, brings electronic sound to life. It adds movement and interest to synthetic sounds and effects, playing an important role in both subtle synthesis and bold sound design. However, you won't hear the LFO itself because it acts as a modulator. This means that it does not directly affect the audio signal, but adjusts other parameters such as oscillator pitch and filter clipping.
The Pitch Bend allows smooth pitch changes, adding expressiveness to musical expression. Often used to create effects such as glissando or vibrato, this feature allows the player to make subtle or dramatic changes to the sound in real time. Pitch bend allows musicians to create smooth transitions between notes, increasing the dynamics and expressiveness of their performances.
Modulation allows you to change different aspects of the sound in real time, opening up a wide range of creative possibilities. For example, it can affect the pitch of the sound, creating a vibrato effect, or it can change the amplitude of the signal, creating a tremolo effect. It can also adjust filtering to create smooth transitions between frequency bands and dynamic textures. Modulation can also be used to change the character of the sound depending on the time or intensity of playing, giving the sound a lively and moving character.
The pedal input allows you to connect an external pedal that expands the instrument's control capabilities and contributes to a richer musical expression, increasing flexibility and expressiveness when playing and creating music.
The ADSR (Attack, Decay, Sustain, Release) type envelope filter gives you precise control over the dynamics and shape of your sound. The ADSR components are detailed as follows: Attack: Specifies how quickly the sound reaches its maximum volume upon activation. Decay: Specifies the time it takes for the volume to drop from maximum to sustain. Sustain: Represents a stable volume level that is maintained as long as the sound is active. Release: Specifies how quickly the volume fades to zero after the sound has been released.
The headphone output allows direct connection of headphones for private listening. This output provides a convenient way to enjoy the sound without disturbing others or ambient noise.
It supports MIDI, allowing you to connect and communicate with other MIDI-compatible devices. This feature extends control and integration into the larger music environment, increasing flexibility and creativity in music creation.
The polyphony of this instrument allows up to <%=tp_value % notes to be played simultaneously, providing rich and complex musical possibilities.
Aftertouch
LFO
Envelope
ADSR
Oscillators
Modulation
Arpeggiator
MIDI Interface
Sound Engine
Keyboard Type
Release sensitive, Velocity-Sensitive
Key Size
Standard
Polyphony
Pitch Bend
Yes
Display
Headphone Output
Pedal Inputs
USB
Filter
Yes (11 )
Sequencer
Yes
Package Contents
Power Supply
Adapter
Width (cm)
56,5
Height (cm)
9
Depth (cm)
33,8
Net Weight (kg)
2,9