Product code: 2600-VCO | ID: 449510
The original 2600 came out in the '70s and was a mainly all discrete transistor design with some op-amps. The discrete circuitry gave the 2600 a very distinctive sound and were used by artists like Jean Michel Jarre, Depeche Mode, Stevie Wonder and so many more. The 2600-VCO is a compact and versatile module, giving you a VCO featuring four simultaneous waveforms with the ability to control a wide frequency band for amazing flexibility. Modular synths were a landmark development in electronic music and today, it’s about to get better.
This is the Behringer 2600-VCO. An analog VCO module and an authentic reproduction of the original ARP 2600 circuitry that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the 2600-VCO in with your existing rig or start your modular synth journey from here. Either way you’re sure to have a lot of fun.
The 2600-VCO is a feature rich module with four simultaneous waveforms: sine, triangle, saw and pulse which allow for an awe-inspiring palette of tonal possibilities. You can even control the oscillators frequency which ranges from 10 Hz to 10 kHz and from 0.03 Hz to 30 Hz when the 2600-VCO is switched to LF mode. The VCO can also be tuned to other instruments or VCOs with the Fine Tune knob. Adjust the pulse width range anywhere from 10% to 90% and you’ll be ready to rock whether you’re in a band or integrating the 2600-VCO into your monstrous setup!
The 2600-VCO comes with an array of FM and CV inputs. Each FM input comes with their own attenuator to control the level of modulation. A separate PWM input can be used if you want to control or modulate the Pulse waveform. The 2600-VCO even accepts control voltages from a keyboard or MIDI/CV converter which you can turn on or off with the Keyboard On/Off switch, which also switches the VCO to low frequency mode.
An LFO, or low frequency oscillator, brings electronic sound to life. It adds movement and interest to synthetic sounds and effects, playing an important role in both subtle synthesis and bold sound design. However, you won't hear the LFO itself because it acts as a modulator. This means that it does not directly affect the audio signal, but adjusts other parameters such as oscillator pitch and filter clipping.
The ADSR (Attack, Decay, Sustain, Release) type envelope filter gives you precise control over the dynamics and shape of your sound. The ADSR components are detailed as follows: Attack: Specifies how quickly the sound reaches its maximum volume upon activation. Decay: Specifies the time it takes for the volume to drop from maximum to sustain. Sustain: Represents a stable volume level that is maintained as long as the sound is active. Release: Specifies how quickly the volume fades to zero after the sound has been released.
A powerful oscillator system allows users to create rich and variable sound textures. Oscillators can generate a variety of waveforms, including sine, square, triangle, and noise, allowing for creativity and experimentation.
The Arpeggiator transforms chords into sequences of individual notes played in various rhythmic and melodic patterns. Instead of playing the chords as a harmonic whole, the Arpeggiator breaks the chords into individual notes and plays them sequentially according to the selected algorithm.
Modulation allows you to change different aspects of the sound in real time, opening up a wide range of creative possibilities. For example, it can affect the pitch of the sound, creating a vibrato effect, or it can change the amplitude of the signal, creating a tremolo effect. It can also adjust filtering to create smooth transitions between frequency bands and dynamic textures. Modulation can also be used to change the character of the sound depending on the time or intensity of playing, giving the sound a lively and moving character.
Тype
Effect Types
Modulation
Arpeggiator
Envelope
Oscillators
Faders
LFO
Package Contents
UK/EU Power supply included
Weight (g)
150
Height (cm)
12,9
Width (cm)
4,2
Depth (cm)
8,1
Made in
China
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